The AFDC wanted to celebrate France's most prolific 20th century author, Marcel Proust in 2021 (150th birth anniversary) and 2022 (100th death anniversary). However, the pandemic precluded us from launching the project earlier. This year, 2023, marks the 110th anniversary of the publication of the first volume of À la recherche du temps perdu / In Search of Lost Time, so this long-coming project is a true celebration of Literature.

On November 1st at 7:00 PM join us at the Embassy of France for a screening of a film by Raul Ruiz, Time Regained (1999, in French with English subtitles), in which the director brilliantly manages to "distill all of Marcel Proust’s iconic In Search of Lost Time into a single epic feature."

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This event is part of the series of events dedicated to Marcel Proust in partnership with the Cultural Services of the Embassy of France (Villa Albertine). Join us also for a Panel Discussion about the relevance of Marcel Proust today at the Alliance Française of Washington, DC on November 2, and a Proust Reading Night at the French Embassy on November 3.

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TIME REGAINED

A FILM BY RAÚL RUIZ

1999 | France | 163 min | in French with English subtitles

Raúl Ruiz’s most ambitious literary adaptation and considered his greatest cinematic achievement. An Official Selection at both the Cannes and New York Film Festivals and starring an outstanding cast of international film stars, including Catherine Deneuve, John Malkovich, Emmanuelle Beart, and Vincent Perez, Ruiz’s Time Regained distills all of Marcel Proust’s iconic In Search of Lost Time into a single epic feature.

The film opens in 1922, as Proust is on his deathbed pouring through old photographs that summon the events of his life. Gradually, we watch as his own experiences merge with his own literary creations. Idyllic memories of youth alternate with rich recollections of 19th century Parisian society where the drama of the Great War and the anxieties of the emerging modern era are skewered in the spectacular staged soirees and lush grand parties. In Ruiz’s deft cinematic hands the film becomes a phantasmagorical comedy of manners as well as a powerful reflection on cinema’s ability to seize and preserve moments of time. The result is a montage of moving snapshots and feverish dreams that makes the film the ultimate in Proustian cinema.

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